How do I change sampling rate in logic?

How do I change sampling rate in logic?

How do I change sampling rate in logic?

In Logic Pro, do one of the following:

  1. Choose File > Project Settings > Audio (or use the Open Audio Project Settings key command), then choose a sample rate from the Sample Rate pop-up menu.
  2. Click the Sample Rate display in the LCD, then choose a sample rate from the pop-up menu.

How do you find the sample rate in logic?

Check the sample rate in Logic Pro To check your project’s sample rate, choose File > Project Settings > Audio. If your project’s sample rate doesn’t match your interface’s sample rate, select the correct sample rate from the Sample Rate pop-up menu.

How do you convert sample rate?

Convert the sample rate of a file

  1. In the Waveform Editor, choose Edit > Convert Sample Type.
  2. Select a rate from the Sample Rate list, or enter a custom rate in the text box.
  3. In the Advanced section, drag the Quality slider to adjust the quality of the sampling conversion.

How do I change track input in logic?

In Logic Pro, do one of the following:

  1. Click the Channel Mode button to switch between mono and stereo input format.
  2. Long-click the Channel Mode button, then choose an input format from the pop-up menu.

How do I assign track colors in logic?

Choose Logic Pro > Preferences > Display, then click the Tracks tab. In the Tracks Display preferences pane, make sure that the Region Color pop-up menu is set to Individual. Note: If the Region Color pop-up menu is set to As Track Color, you cannot color regions individually.

Can you convert 48kHz to 44.1 kHz?

Of course, it’s possible to convert 48kHz files to 44.1kHz for your audio project and then convert them back again at the end of the project, but this is a pointless and unnecessary step and — in theory, at least — the conversion would also lose you a little high end.

Is it better to record at 44.1 or 48?

In other words, 44.1 kHz captures all the audio bandwidth humans can hear, but the low pass filter may adversely affect audio below 20 kHz. For this and other reasons, it is recommended that we produce and mix pop music at 48 kHz. First, 48 kHz allows for better sounding anti-aliasing filters than 44.1.